How does this film’s use of the concept of reincarnation allow it to act as an exploration of human nature? Why do the snakes, a species of what are called “evils” in the film desire to become human? What is involved in the centuries-long training they are undergoing to attain reincarnation as human beings? Why does it take hundreds of years to accomplish this? How do the sisters, White snake and Green snake, exhibit their relative levels of progress in that training? How does the film contrast snake life with human life, and the difficulties of attempting the transformation? Do the films surreal and comedic aspects illustrate Buddhist beliefs with regard to Maya and the illusory nature of reality? How does the Monk Fat Hoi treat the snakes? Why is his treatment inconsistent, sometimes compassionate, sometimes harsh? He sees the snakes serving human beings as medics, sees them save their home village from a flood, and indeed helps them do this, yet wants to capture and banish them from the human world. Why? Is this a commentary on Buddhism? What do the cross-cultural symbolic uses of snakes and spiders tell us about the connection between morality and knowledge? What similarities does the story of White snake and Green snake have with the story of the snake in the Garden of Eden and the Amerindian myths of Kukulkan or Quetzalcoatl?